Dramas from Studio GOOD BOY ENTERTAINMENT COMPANY LIMITED

Faikham reluctantly inherits the duty of tending to the vengeful spirit of “Phii Ka Phra-Nang” from her mother. Although the spirit enhances her beauty by licking her face and body until she becomes radiant, Jaonang Ernglong, who became the spirit, harbors a deep desire for revenge against those who wronged it in a past life. When Faikham seizes an opportunity to enter the royal palace, the time for the spirit’s vengeance arrives, using its supernatural powers to exact retribution.

The four boxing masters who become estranged from each other swore that they would come back to fight each other in the next 20 years to see who is the true master.

Ornnapa is a mistress of a flower-exporting business tycoon. She was abused by Kannikar, the tycoon’s first wife. After the death of the tycoon, Ornnapa was expelled from the mansion. 30 years later, Ornnapa’s vengeance has passed along from generation to generation in order to take back what she deserved. Her daughter Ornsela and her nephews, Worakorn and Worawech declare a war with the Kannikar’s family. Kannikar has her daughter Tantawan and nieces Mintra, Nonsri and Iris to support her.

After her body and dignity got defiled by men’s wickedness, Soison changes her trauma into the drive to revange againt all men. She has turned from a pure harmless flower into a thorned flower that can hurt men to death!

Kimhan found the dead body of Wimolrat, his sister, who was shot at her house by Tada, her husband. Tada set up the scene and claimed that Wimolrat committed suicide. He asks Mookrin, his sister and Kimhan’s girlfriend, to prove him innocent of all charges. A year later at the wedding of Kimhan and Mookrin, the bride is suddenly switched to Paktra, Mookrin’s friend. Tada is mad by Kimhan’s humiliation to his sister, but Kimhan doesn’t care as this is only the beginning of the revenge of his past sister’s murder case.

Orawee is betrayed by her seemingly perfect husband, Tharn, who carries on an affair with Wichuda, Orawee’s half-sister. Wichuda has returned specifically to seek revenge, aided by Suwipha, Orawee’s business mentor, who feeds Orawee information and leads her to catch the pair red-handed. Tharn asks for a divorce because Wichuda is pregnant, but Orawee refuses to let Wichuda gain anything. Tharn eventually leaves with nothing but his clothes, hoping to take their adopted children, Ekong (Ek) and Atcharee (Fah), with him. Orawee refuses to let go of both, so Tharn is only able to take Ekong.

Eighteen years pass. Atcharee, who remained with Orawee, has become repressed and withdrawn. Orawee physically abuses her whenever the bitterness of the past resurfaces. Despite this, Atcharee continues to forgive Orawee, guided by the teachings of Jamnian, Orawee’s longtime nanny. Unbeknownst to Orawee, Ekong and Tharn have maintained secret contact with Atcharee over the years.

When Orawee discovers that Ekong harbors feelings for Atcharee that go beyond siblings, she takes drastic action. She forces Atcharee to marry Burin (Ben), Suwipha’s playboy son, who only agrees to the marriage because his family needs Orawee’s wealth to save their failing finances. Devastated, Ekong finds solace in Narin, and their bond eventually blossoms into love.

Orawee’s actions are fueled by a desire to inflict pain on Tharn, who is already struggling. Wichuda has revealed her true, malicious nature, and their daughter, Phakwan (PP), has become a troubled teen. After being expelled from school, Phakwan is sent to a boarding school in Bangkok. Tharn asks Narin—the daughter of his business associate Kamron and a student teacher—to look after her. However, Orawee spies on Tharn’s family and hires Ron to seduce Phakwan and ruin her life. Ron is the brother of Phon, Orawee’s driver and secret lover.

The situation takes a twisted turn when Burin, bored with Atcharee, becomes attracted to Orawee’s maturity and charm. He pursues Orawee until she gives in. Before long, Atcharee discovers the physical affair between her husband and her adoptive mother. Shattered, she flees the house to live with Tharn. Burin eventually realizes his mistakes and tries to win Atcharee back, while Wichuda learns that Orawee is the one who destroyed her daughter’s life.

As the two women engage in a violent confrontation, the question remains: will Orawee ever feel remorse and extinguish the fire of revenge in her heart?

Sophit, the successor to the family's business printing company, continues to adhere to the ideology of newspaper media production. Even if he had to pick up a little print, he agreed to keep the printing company alive, and however, the print media still had to be there, and the operators who were waiting for it would be chaotic. Will the managers deal with this problem?

(Source: movie.trueid.net)